What you have now, pushed to weight 600 with looser leading. The cheapest fix if the shape is fine and only the thin strokes bother you.

The cleanest pixel face on Google Fonts, but it has no lowercase. Reads instantly, shouts a little. LucasArts title card.

A 16-dot gothic made for screens. Rounder dots, lower contrast, dreamier than a hard pixel grid. The most 'oneiric' of the pixel set and still very readable.

Built from pixel-like elements but drawn as a real typeface: proper proportions, real spacing. Reads like a modern display sans that happens to be made of blocks.

Dot-matrix with round dots and generous inner space. Light and nocturnal. Thin at large sizes even at 700.

What v1 used in its 20px cut; the 25 is the most readable of the family. Tall and condensed, so long lines fit. Slightly athletic.

A tiny 5-pixel grid scaled up. Simple, honest, a bit narrow. The lowercase is the most legible of the strict pixel faces.

Commodore 64 lineage, wide and heavy. Very distinctive, very retro. Two words per line at most.

The classic terminal face. Honest for a CLI product, but flirts with the 'terminal cosplay' the rules warn against.

No pixels. A grotesk with odd, slightly retro letterforms that keeps a tech flavour. The calm answer.

The brand sheet says the display face is an editorial serif and the viewer app uses one. Pixel world in the pictures, editorial voice in the type.

Display and body in the same family, tight tracking, semibold. The most coherent option: nothing to explain, everything aligns. Risk: looks like every Vercel-adjacent site.

Inter cut for headlines. Extremely legible, zero personality by design. A safe base if the images carry all the character.

A grotesk with real quirks in the a, g and R, drawn for large sizes. Modern and friendly without being cute.

Clean Scandinavian grotesk with a few deliberate oddities. Quieter than Bricolage, warmer than Inter.

The sans sibling of the BRAND.md serif. If the app ends up on Instrument Serif, this keeps the site in the same family.

Rounder, more geometric, a little playful. Reads as consumer product rather than dev tool.

Wide, slightly strange, gallery-poster energy. Distinctive on a landing page; needs restraint everywhere else.

Very wide, rounded, unmistakable. Modern and loud; two or three words per line. Feels like a product with a point of view.

A soft, slightly wonky serif drawn for big sizes. The warmest and most 'dreamy' option here. Pairs beautifully with the dusk images.

Low contrast, heavy, a bit naive. Storybook feel, which is not far from LucasArts either.

A newspaper display serif with optical sizes. More classical than Instrument, less stylised. Serious and calm.